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The primary new technologies are: DTS 70 mm [ ] This is a process designed specifically for playback in motion picture theaters equipped with projection and 6-track surround sound. The 70 mm DTS prints do not have 6-track magnetic striping, so there is no analog backup should the digital sound fail.

So where does this DTS vs. Dolby debate lead? Both audio formats are capable of achieving nearly similar results delivering surround sounds. Was this article useful? Feel free to comment and share.

Feb 16, 2010  My problem with original DTS tracks is they sound more 'fake' to me than Dolby 5.1 tracks, and VERY often they weren't synched correctly with the video. Moulin Rouge was a good one where the DTS. Dolby Digital, Dolby Pro Logic II, DTS, SDDS, and THX are all common 5.1 systems. 5.1 is also the standard surround sound audio component of digital broadcast and music. All 5.1 systems use the same speaker channels and configuration, having a front left and right, a center channel, two surround channels and a subwoofer. The war of Dolby sound vs. DTS sound is a hotly debated issue. Some audiophiles support Dolby and some supports to DTS. Dolby TrueHD and DTS-HD Master audio are two famous product of Dolby and DTS respectively. DTS (originally Digital Theater Systems) is an American company that makes multichannel audio technologies for film and video. Based in Calabasas, California, the company introduced its DTS technology in 1993 as a higher-quality competitor to Dolby Laboratories, incorporating DTS in the film Jurassic Park. The DTS product is used in surround sound formats for both commercial/theatrical.

Pretty much any 'sound intensive' movie or feature runs in DTS instead of DD.

DTS-HD Master Audio is selected as an optional surround sound format for, where it has been limited to a maximum of 8 discrete channels. DTS-HD MA supports variable bit rates up to 24.5 Mbit/s, with up to encoded at up to 192 kHz or and nine objects encoded at 96 kHz/24 bit. If more than two channels are used, a 'channel remapping' function allows for remixing the soundtrack to compensate for a different channel layout in the playback system compared to the original mix.

However, most receivers offer surround modes that will take a stereo track and convert it for surround, thus playing music from all speakers. Dolby Pro Logic IIx is a common format built into most receivers for this purpose. Most Atmos capable receivers have a feature called Dolby Surround, which will take non-Atmos audio and convert it to utilize all speakers in your 5.1.2 configuration (or whatever Atmos setup you have). I know this works with Blu-ray discs, but I'm not sure it works with music streamed from a smartphone. I'm working on finding out now. I'll update this post when I have an answer for you.

Surround headphones are either algorithmic (called head related transfer function or HRTF) or captured signals. Algorithmic solutions include Dolby headphone and DTS headphones. Here your multichannel sound is input into the box, which then applies the calculations to it to generate a stereo mix that would be what a virtual head would've heard and then piped to your headphones. Captured signals use a correlation function with measured impulse responses to generate the effect (the impulse response captures the effect the environment has to affect the sound to the listening position so it can also be used to replicate say, Carnegie Hall.).

The two components of the system are DTS Interactive and DTS Neo:PC. It is found on various CMedia soundcards and onboard audio with Realtek ALC883DTS/ALC889A/ALC888DD-GR/ALC892-DTS-CG and SoundMAX AD1988 chips, as well as several cards based on the chipset, such as the Titanium series and 's X-Fi Forte, X-Fi Prelude, X-Fi Home Theater HD and X-Fi Bravura cards. • DTS Interactive: This is a real-time DTS stream encoder. On the PC, it takes multichannel audio and converts it into a 1.5 Mbit/s DTS stream for output. Because it uses the original DTS codec to transmit audio, fidelity is limited to 5.1 channel at 48 kHz, 24bit. More than 5.1 channels, a higher sampling frequency or data rate are not supported, due to the lack of support for DTS variants such as DTS 96/24.

DTS contest a draw - with consumers winning hands down. Lossless is where it's at and we seem to be getting there, albeit slowly and with much resistance from the RIAA.